14 year old Jean Rayner
surrounded by young aspiring Teddy Boys on a bombsite, January 1955
Prologue:
Prologue:
The war is over
We don’t want
no trouble
Just wish to be fancy
and free
Bring on the bluebottles
I would dance
with any one.
We don’t want
no trouble
You know where to
find us
We’re as common as
milkweed thistle,
slick
As a cat’s whisker.
Fancy and Free
Buzz cut – Judy
What a beauty is she
All sass and frizz
And rolled up
dungaree
Me,
I couldn’t stand
To part with my pride
Those wide jawed
shears
frankly denied
their fulsome due.
So it's flaxen guard
hairs
Sporting the dome
And black suede
creepers
Jukin’ the beat
Saying no
To oleo
And to hell with
Monsieur Hippolyte
And his hoity breed!
--As if you could bottle
The sun
Or can songs
That run sap deep--
Please watch Digging My Potatoes:
Skiffle bands, a precursor to rock and roll
A
relatively obscure genre, skiffle might have been largely forgotten if not for
its revival in the United Kingdom in the 1950s and the success of its main
proponent, Lonnie Donegan. British skiffle grew out of the
developing post-war British jazz scene. They played a variety of
American folk and blues songs, particularly those derived from the recordings
of Lead Belly,
in a lively style that emulated American jug bands.
It has been estimated that in the
late 1950s, there were 30,000–50,000 skiffle groups in Britain. A large number
of British musicians began their careers playing skiffle in this period, and
some became leading figures in their respective fields. These included leading
Northern Irish musician Van Morrison and British blues pioneer Alexis Korner, as well as Ronnie Wood, Alex Harvey and Mick Jagger; folk musicians Martin Carthy, John Renbourn and Ashley Hutchings; rock musicians Roger Daltrey, Jimmy Page, Ritchie Blackmore, Robin Trower and David Gilmour; and popular beat-music successes Graham Nash and Allan Clarke of The Hollies. Most notably, The Beatles evolved from John Lennon's skiffle group The Quarrymen.
(Wikipedia)
Susie Clevenger at Real Toads invites us to write a poem
inspired by the Teddy Girls.
Teddy girls (also known as Judies) wore drape
jackets, pencil skirts, hobble skirts, long plaits, rolled-up jeans,
flat shoes, tailored jackets with velvet collars, straw boater hats, cameo
brooches, espadrilles, coolie hats and long, elegant clutch bags.
They were young
working-class women, often from Irish immigrant families who had settled in the
poorer districts of London — Walthamstow, Poplar and North Kensington. They
would typically leave school at the age of 14 or 15, and work in factories or
offices. Teddy Girls spent much of their free time buying or making
their trademark clothes. It was a head-turning style parodying the
Edwardian era.
It was through this girl culture that the Teddy Girls expressed their new
found financial independence and their disdain for postwar austerity.
At the time they were overshadowed by male counterparts
known as the Teddy Boys who gained notoriety for some isolated violent clashes
with rival gangs.
The Teddy Girls could have easily slid into obscurity had they not been immortalized by Ken Russell. In 1955 Ken Russell was introduced to a Teddy
Girl, Josie Buchan, she in turn introduced Russell to some of her friends.
Russell photographed them, and also photographed another group of Teddy Girls
near his home in Notting Hill. In June 1955 the photos were published in
Picture Post magazine.
His series, The Last of the Teddy Girls, featuring the striking
14-year-old Jean Rayner, is one of the first instances of British youth
cultural exposure. Russell photographed teenagers doing the syncopated hand jive in the packed Cat's Whiskers
coffee Bar in London's Soho: "There was no space to do anything else so
they danced with their hands," he explained. "I used to join in – it
was something anyone could do."
Bluebottle
UK, an
archaic derogatory term for policeman that may have derived from Cockney rhyming slang and from the action
of police when responding to a serious incident, as "swarming like Bluebottles",
or blowflies. ("Bottle" is an abbreviation of "bottle and
glass", which is rhyming slang for "arse", as in the phrase;
"lost your bottle", for having lost one's nerve).
Oleo
Emperor Napoleon III of France
offered a prize to anyone who could make a satisfactory alternative for butter,
suitable for use by the armed forces and the lower classes. French chemist
Hippolyte Mège-Mouriès invented a
substance he called oleomargarine, the name of which became shortened to
the trade name "margarine".
Guard hair
Fiber goats such as cashmere and angora are valued
for their fine downy winter undercoat.. This
undercoat grows as the day length shortens and is associated with an outer coat
of coarse hair, which is present all the year and is called guard hair. Most
common goat breeds, including dairy goats, grow this two-coated fleece.
.
11 comments:
Love the "sass and frizz" in your poem celebrating the Teddy Girls.
This is absolute perfection!
The human condition, we so resilient when it comes down to it, free yet share croppers of the weather and each other's dreams is
that surviving we reach for more if not just hide away in peace for we never quite can be assured we win some war nor our efforts find what the poet knows is true of life's perfections
Interesting, had not heard of skiffle. You have captured the spirit of those free-spirited girls so wonderfully. Made me want to roll up my dungerees!
This is excellent! How well you have incorporated the lingo of the time into the lines - it is so authentic.
Thanks for teaching "skiffle" so new to me. I couldn't understand some of the lingo though your glossing helped, and reading aloud also gave me the feel of a whole lot of fun.
What a fantastic write! Love how you incorporated the slang of the day and all the information you shared. thanks so much for taking part in the challenge!!
I dare say, you captured that picture to a tee and the whole feeling of the subject. Perfect form and a tempo from hell. Loved this a lot.
powerful!
I am all over skiffle, because that was where the Beatles started, and so I went about trying to find the actual music. Intriguing beat. Thanks for posting that song. Also, your command of the slang is BRILL. Loved every word, Gabrielle! Thanks for posting at Real Toads. Amy
There is the danger in doing a period piece of ending up with a travelogue or flat historical fiction. This avoids those traps very nicely. Your Teddy Girl is in a particular time and place, but the details come in nicely from edges, and there is no Fifties' clichés littering the piece. Fine, Fine work.
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